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The Exhibits

Exhibit Development

The new museum is vital to the care of this world-class collection and the realization of all that it can inspire. A collection of this calibre deserves the very best possible home – to preserve, promote and protect, and to foster skills and traditions for generations to come.

At the core of the new museum will be the Exhibition Galleries and Collection Centre – spaces totalling 37,000 square feet. For the first time, the entire collection will be on site and accessible as part of the visitor experience.

    • Exhibition Galleries – Approximately 17,000 square feet of Class A (curatorial standard) exhibit space expected to feature thematic exhibition zones.
    • Collection Centre – Approximately 20,000 square feet of Class A (curatorial standard) open storage space, featuring more than 500 full-sized watercraft stored on individual mounts and arranged on racking systems, as well as small artifacts storage.

Visitors will also see and hear Indigenous languages and voices from the moment they enter the Museum, with the local Michi Saagig dialect of Anishnaabemowin used throughout the building and within its exhibits alongside English and French, with additional Indigenous languages featured in relation to specific watercraft.

A once-in-a-lifetime opportunity

 

Before us, is the once-in-a-lifetime opportunity to design and develop exhibits for this collection of national scope and significance. This new suite of exhibits will determine how the stories the collection carries will be presented to all those who visit.

 

With this opportunity, we realize and accept our responsibility. We must, and we will honour the cultural histories and stories within the collection. Guided by the canoes in our collection, we will be reaching out across the country to consult, and to build relationships with Indigenous and non-Indigenous individuals and communities.

 

As we work to shape the exhibits for the new museum, we will create the conditions for collaboration, and the foundation for long-term relationships. These reciprocal relationships are the new beginnings that will chart the course for every facet of the Museum’s future.

 

A critically important component of this work, we will be broadening and deepening our collaborative relations with Indigenous Peoples.

The Indigenous Languages Program is supported by TD Ready Commitment

Leadership

The Museum’s curatorial staff team is working with experts, thought leaders, and community members from coast to coast to coast to ensure that the collection is experienced to its fullest in the new exhibit spaces.

CCM Exhibits Design Team

Jeremy Ward (Curator) • Dr. Laura Peers (Exhibits Project Manager) • Beth Stanley (Associate Curator) • MaryJane Proulx (Exhibits Project Coordinator) • Karen Taylor (Director of Programs) • Carolyn Hyslop (Executive Director)

As part of our commitment to collaborative relations, the Museum is beginning to work directly with eight Indigenous communities and with an emerging Indigenous museum professional to ensure that Indigenous knowledges, perspectives, and voices are directly represented in the exhibitions and educational programming. We will be announcing these roles shortly. 

Exhibits Design Firm

The Museum has also partnered with GSM Project, following a nationwide search process. The firm is working alongside staff to create truly unique visitor experiences. The Museum has joined GSM Project’s repertoire of more than 1,000 exhibit designs in more than 120 cities worldwide. GSM Project was the lead designer of the new Canadian History Hall at the Canadian Museum of History – the largest exhibition about Canadian history ever developed.

Learn more about our exhibit design process and our approach to collaborative relations here.

Design & Build News

Canadian Canoe Museum terminates lease with Parks Canada

Canadian Canoe Museum terminates lease with Parks Canada

Advances search for new museum build site  The Canadian Canoe Museum (CCM) announced today that it has terminated its lease agreement with Parks Canada for the land located alongside the Peterborough Lift Lock on the Trent-Severn Waterway at 353 Hunter Street East,...

A Canoe Community: Kitigan Zibi (Collaborative Relations Field Notes)

A Canoe Community: Kitigan Zibi (Collaborative Relations Field Notes)

By Jeremy Ward, Curator and Robin Binèsi Cavanagh, Director of Indigenous Peoples Collaborative RelationsOur Curator, Jeremy Ward, and our Director of Indigenous Peoples' Collaborative Relations, Robin Binèsi Cavanagh, have embarked on a cross-country tour...

A New Museum Progress Update | Fall 2019

A New Museum Progress Update | Fall 2019

2019 has been a busy year at The Canadian Canoe Museum. Our Board of Directors, staff, volunteers and our new museum project partners have been working hard to ensure that we are in the best possible position to share our one-of-a-kind...

Reflections On Our Journey To The East Coast

Reflections On Our Journey To The East Coast

Robin Cavanagh, Jeremy Ward, and Fred Metallic in Listuguj First Nation viewing where we were in relation to the Seven Traditional Districts of the Mi’gmaq By Robin Binèsi Cavanagh, Director of Indigenous Peoples Collaborative Relations A large part of my...

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